
2007 FUNK TANGO Sunnyside Records/Paquito Records SSC4551
Paquito D'Rivera Quintet?
Reviews:
June 13 - Rated "CD
of the Month for June" on jazz89 radio
station in Denver, Co.
May 31 - Rated "Album
of the Week" by blogger and jazz musician Chip Boaz (Bass) on "Latin,
Jazz, and the Bass."
May 21 - The
New York Times reviews Paquito D'Rivera Quintet's
new Funk Tango album in the New CDs
Critics' Choice column.
About the Album:
“Two plus two?... it equals
whatever I want,” replied Albert Einstein to a smart-ass journalist
trying to pull the leg of the celebrated scientist. On the other hand,
you don’t have to be a great mathematician to notice that the main
characters from Alexandre Dumas’s acclaimed novel “The Three
Musketeers” are not exactly three, but four: Athos, Portos, Aramis,
and d’Artagnan. The same principle could be applied to my working
quintet, basically comprised of a typical jazz rhythm section, front-lined
by two horns. This is the format that became my favorite vehicle of expression
from my early days with Hilton Ruiz and Claudio Roditi while gigging
around that breathtaking New York City of the 1980s. But for me, the
Be-Bop quintet, pretty much popularized by Bird & Diz four decades
before, is just a basic instrumentation that might shrink to a duo with
the versatile pianist Alon Yavnai, or with bassist extraordinaire Oscar
Stagnaro, or with Mark Walker’s and Pernell Saturnino’s tasteful
percussion, as well as form a chamber-jazz trio with cello and piano;
or expand to a big-band, the Panamericana ensemble or even a symphony
orchestra. It’s what we call “the extended quintet”– all
depending on the needs of the music to be played, the budget to be shared,
and especially the considerable amount of friends willing to sit in playing
the most dissimilar instruments imaginable, as well as contributing an
eclectic variety of musical styles to our repertoire, ranging from cheering
Cuban danzas and Brazilian sambas to Peruvian festejos, Venezuelan waltzes,
and the dark melodies of impassionate tangos.
In addition to being our first
self-produced CD, the present release also marks Diego Urcola’s
brilliant recording debut as a valve trombonist. Those memorable days
of recording at Manfred Knoop’s state-of-the-art studio also gave
us the opportunity to reunite the current musicians of the quintet with
former members and dearly appreciated old friends of the group, like
Ed Simon, Daniel Freiberg, and Hector del Curto, as well as welcome-to-the-club
newcomers, Pablo Stagnaro and Fernando Otero. In other words, the Funk
Tango project could work as a good answer to that famous question posed
to Dave Brubeck while checking into a hotel on an early morning back
in the ‘50s:
– How many in your quartet, sir?
– Whatever I want, my dear!!!